Week 5 Review

This week I invested a lot of time in reading the 75 page Lister 2009 chapter “New Media- A Critical introduction.” The chapter contained many threads, which remained loosely linked but not tied together. Published in 2009, the chapter referenced Web sites that are no longer operating (MScape, Delicious, Napster), and authors (OReilly Web2.0) that don’t seem to have a current online presence.

Nevertheless there is some material in the latter half of the chapter that was helpful in my study of Online Community.  It also contained definitions and examples for Long Tail theory, Web 2.0, counterculture, convergence culture & transmediality. I placed short definitions of each on my terminology page.

In Lister’s chapter, I found the concept of Web 2.0 interesting. This was also well explained in the paper by Lewis (2012) which I wrote about here.

Web 2.0 is a phrase coined by O’Reilly (2005) and pertains to internet applications focused on participatory information creation, tagging, sharing, and remixing—and, wherein tech companies rely almost entirely on user-generated content for monetization. Simultaneously voluntarily given and unwaged, enjoyed and exploited, free labour on the Net includes the activity of building Web sites, modifying software packages, reading and participating in mailing lists, “Web 2.0 shows how our creative expression becomes commodified and sold back to us”. ‘Lister 2009’

This resonated with me because The Mooc I chose to study was Sustainable Urban Development by University of Wageningen. Whilst thousands have enrolled, and the developers want the students to self- enroll in teams of 20-100 people each, to work on 100 challenges and to find solutions for 100 cities. This strikes me as a very valuable research tool for the university if they can succeed in convincing people to divide themselves up into such Web 2.0 teams.

My peers posted interesting articles that helped me with the study of my MOOC. Jiyoung Kwon posted the article on low completion rate of Moocs, which stands at 5%. The article concentrated on the other 95% who are still completing (and gaining) from some of the material. This might be the institution’s way of putting a positive spin on the non completion rates, but maybe it is an acceptance of how people learn in un- moderated environments

In the MOOC that I am looking at, the developers have created 5 themes or tracks, and students can follow their own track of interest, and still gain a cert of completion if they complete two thirds of the course. Is this an attempt to counteract the low completion rates  I wonder?

I commented on three other peer posts in this article, on ‘lurking in Moocs’, ‘lack of conversations in Moocs’, and ‘how the brain retains information’.

 

 

The Tension between Professional Control and Open Participation

This article  by Lewis 2012 explores how professions of law, medicine and academica have endured an ongoing contest from a do-it-yourself culture that challenges traditional forms of elite expertise. It is a struggle over boundaries: about the rhetorical and material delimitations of insiders and outsiders.

This incursion of the ‘ordinary person’ into the bastions of media privilege is experienced as both opportunity and threat by the industries themselves (Lister 2005)

Emerging research also suggests the possibility of a hybrid logic of adaptability and openness—an ethic of participation—emerging to resolve this tension going forward (Lewis 2012)- a trickle of empirical data is beginning to suggest a “slow philosophical shifting” towards a resolution to the professional–participatory tension.

reference
Lewis. (2012). The Tension between Professional Control and Open Participation: Journalism and its Boundaries – https://conservancy.umn.edu/bitstream/handle/11299/123290/1/iCS%20-%20The%20Tension%20between%20Professional%20Control%20and%20Open%20Participation%20-%20Journalism%20and%20its%20Boundaries.pdf

Accessed 16 Feb 2020

A lesson in distribution and low barrier for entry.

https://medium.com/@julia.alexander/late-night-dispatch-the-decade-our-demand-for-now-hit-overdrive-e2b3cb78732b

Julia Alexander’s Blog Post is quite long but worth a read, touching on modern culture’s leanings towards binge watching, multiple subscriptions, and how the mind is over wrought by trawling through mountains of content and a meandering internet that is designed to distract.  Here we have a description of how the digital world is changing what it means to be human. It brings to mind overtones of ‘technological determinism’– digital devices define and govern how people use them, (Dahlberg 2004), but also ‘community cultures’-the growing social dimensions of virtual worlds and the massive increase in communication and interaction on the web (Knox 2015).

The sheer size and randomness of this communication brings to mind the concept of Cousins (2005) Rhizome, which we learnt about in IDEL.  It is reflective of our daily use online as well, very little is remembered when we flit from piece to piece and play youtube videos at twice the speed to save time.


Rhizome, Represented by Galerie Dusseldorf
Frazier the show
Frazier the show- Tossed salad and scrambled eggs

What I liked from Alexander’s piece was the remembrance of mass media monoculture of the 1990’s and how it contrasts with what we have today. In the 90’s, people had to wait for the next episode of their favourite show, most likely together with their peers and at the same time as them. The show was dissected by the groups of pals and co-workers the next day after it aired. It was enjoyable aspect of 90’s culture, a chance to come together and break bread over common interests and comedy.

The TV was the tool that we watched, still separate from the human body. The interaction and dissection was done with physically present peers and not via the technology.

Friends the show
‘Friends’ the show

 

 

 

 

 

 

By contrast it is the propensity of modern day culture to view content and chat about it, via personal devices that are completely individualised, which can be physically isolating. The sheer volume of content viewed means less in depth thinking and pondering. Content depends on our demographic, our preferences, and our click history. Youtubers that are incredibly famous across the world are unknown by our friends within the same social circle. Individuals from any background can post something for free on Youtube, TikTok or a myriad of outlets and so there is a low barrier for entry to access our devices.

I would rather find the hope in this though. Yes we can be physically isolated but our online self will use the internet to find the people that are ‘part of the tribe’ (social determinism) .  I would hope that we learn to break down the volume of good and bad content so that we can usefully educate ourselves. Who is to judge what will constitute a ‘useful’ education, when each graduate will need a different preparation and a variety of graduate attributes depending on their life context? But I hope that analytics and more seasoned members of our online tribe will play a part; helping us to filter towards our natural leanings and personal strengths,  to tailor our education along individualized trajectories through teeming repositories of art,  entertainment and knowledge. The danger of course is who is writing the analytics, but I hope we can overcome that too.

References
Cousins,G, YEAR; Learning from Cyberspace IN Roy Land and Sian Bayne (eds), (2005) Education in cyberspace, London: RoutledgeFalmer. 8, 117
Dahlberg, L (2004). Internet Research Tracings: Towards Non-Reductionist Methodology. Journal of Computer Mediated Communication, 9/3., as  quoted by Knox, J (2015) chapter1.  http://onlinelibrary.wiley.com/doi/10.1111/j.1083-6101.2004.tb00289.x/full
Knox, J 2015, Critical education and digital cultures. in M Peters (ed.), Encyclopedia of Educational Philosophy and Theory. Springer, pp. 1-6. https://doi.org/10.1007/978-981-287-532-7_124-1