Excerpts
‘DS106 subscribes to what Cormier calls ‘community as curriculum’ . Using the image of a Rhizome to discuss education he states ‘curriculum is not driven by predefined inputs from experts; it is constructed and negotiated in real time by the contributions of those engaged in the learning process. This community acts as the curriculum, spontaneously shaping, constructing, and reconstructing itself and the subject of its learning’ This is succinctly summed by Sean Michael Morris and Jesse Stommel (2013), ‘the action of interactivity is itself a learning experience’. Potential learners who have a strong need to follow set learning outcomes and to have these aligned with clear assessment should think twice about signing up to DS106. Seely Brown makes the distinction between using peer support to understand or to construct knowledge and, depending on one’s pedagogical position, one can argue about feasibility and validity of knowledge created within a community. What is relevant here is that in DS106 the community is more what Thomas and Seely Brown (2013) call a collective,
“A collective is very different from an ordinary community. Where communities can be passive […], collectives cannot. In communities, people learn in order to belong. In a collective, people belong in order to learn. Communities derive their strength from creating a sense of belonging, while collectives derive theirs from participation.”
The collective aspect of DS106 is very striking when you join it. It has its own oral tradition and it is no secret that shared narrative creates group cohesion. As storytelling is the focus of DS106, it is clear that community/collective members understand the importance of a shared oral tradition and they use technology in order to foster it. Should you choose to do DS106 you will soon come across a tapestry of stories that are continually being added to by members; from talking dolls that embody care and empathy, to tough military men who bully you into ‘making art, damn, it’. Then there are the dead bodies, the headless photos, dancing professors and not forgetting the re-invokation of missing people via animated gif creation. Yes, it takes a particular kind of learner to engage with the mythology of DS106 and understand that the learning is in the engagement. There is no linear guide for new members, the stories weave in the interactions of those who ‘get it’. By definition there must be those who try to join in but never ‘get it’ and leave without a trace. What students slowly learn is that the process of interacting is as much part of the digital storytelling to be learnt as working through tutorials in the handbook. There is a richness in this that cannot be put in a box, and what is also true is that there is a great deal of unpredictability in it and the danger of it raising fears about inclusion/exclusion always latent in us humans.’
‘It is of interest to me that I started this post talking about how DS106 elicits strong emotion for and against; defended as a bastion of creativity in education and vilified for being an elitist outfit only accessible to the few. The truth lies somewhere in the middle, but an internet gathering that has so much in common with hacker culture may not suit all. And those of us choosing to participate, may do well to remember there is an inevitable shadow side to a participatory dynamic based on strong identification with ideals or leaders. Health warning: It is not my intention to imply that anyone in the DS106 community is a hacktivist in any way shape or form, simply that the organisational structure of DS106 is similar to other open internet groups and not all have educational purposes in mind.’
‘My personal experience has been nothing but positive with a passion and commitment for what DS106 stands for coming through in everyone involved, but dangers lurk that this same dynamic of passion and commitment could be misused by new members, if not current ones. Some see this interactional pattern and have accused DS106 of being cult. I joked about this at the start of this post and the community jokes about this often, but again there are some serious issues to be raised within the humour’
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