Disentanglement from my lifestream: wrapping up algorithmic cultures and EDC 2020

Entanglement
‘Entanglement’ (ellen x silverberg, Flickr)

As I disentangle myself from my lifestream feeds, and reflect on the course, I consider how I have perceived and been influenced by the algorithmic systems involved.

Google and Twitter were consistent influences, the latter through new/existing connections and via #mscedc#AlgorithmsForHer and #ds106, and I saved/favourited (often highly ranked) resources to Pocket, YouTube and SoundCloud (and other feeds).

While I had some awareness of these algorithms, alterations to my perception of the ‘notion of an algorithm’ (Beer 2017: 7) has shaped my behaviour. Believing I “understand” how Google “works”, reading about the Twitter algorithm and reflecting on ranking/ordering have altered my perceptions, and reading about ‘learning as “nudging”‘ (Knox et al. 2020: 38) made me think twice before accepting the limiting recommendations presented to me.

Referring to the readings, these algorithmic operations are interwoven with, and cannot be separated from, the social context, in terms of commercial interests involved in their design and production, how they are ‘lived with’ and the way this recursively informs their design (Beer 2017: 4). Furthermore, our identities shape media but media also shapes our identities (Pariser 2011). Since ‘there are people behind big data’ (Williamson 2017: x-xi), I am keen to ‘unpack the full socio-technical assemblage’ (Kitchin 2017: 25), uncover ideologies, commercial and political agendas (Williamson 2017: 3) and understand the ‘algorithmic life’ (Amoore and Piotukh 2015) and ‘algorithmic culture’ (Striphas 2015) involved.

During my ‘algorithmic play’ with Coursera, its “transformational” “learning experiences” and self-directed predefined ‘learning plans’ perhaps exemplify Biesta’s (2005) ‘learnification’. Since ‘algorithms are inevitably modelled on visions of the social world’ (Beer 2017: 4), suggesting education needs “transforming” and (implied through Coursera’s dominance of “tech courses”) ‘the solution is in the hands of software developers’ (Williamson 2017: 3) exposes a ‘technological solutionism’ (Morozov 2013) and Californian ideology (Barbrook and Cameron 1995) common to many algorithms entangled in my lifestream. Moreover, these data-intensive practices and interventions, tending towards ‘machine behaviourism’ (Knox et al. 2020), could profoundly shape notions of learning and teaching.

As I consider questions of power with regards to algorithmic systems (Beer 2017: 11) and the possibilities for resistance, educational institutions accept commercial “EdTech solutions” designed to “rescue” them during the coronavirus crisis. This accelerated ‘datafication’ of education, seen in context of wider neoliberal agendas, highlights a growing urgency to critically examine changes to pedagogy, assessment and curriculum (Williamson 2017: 6).

However, issues of authorship, responsibility and agency are complex, for algorithmic systems are works of ‘collective authorship’, ‘massive, networked [boxes] with hundreds of hands reaching into them’ (Seaver 2013: 8-10). As ‘processes of “datafication” continue to expand and…data feeds-back into people’s lives in different ways’ (Kennedy et al. 2015: 4), I return to the concept of ‘feedback loops’ questioning the ‘boundaries of the autonomous subject’ (Hayles 1999: 2). If human-machinic boundaries are blurred and autonomous will problematic (ibid.: 288), we might consider algorithmic systems/actions in terms of ‘human-machinic cognitive relations’ (Amoore 2019: 7) or ‘cognitive assemblages’ (Hayles 2017), entangled intra-relations seen in context of sociomaterial assemblages and performative in nature (Barad 2007; Introna 2016; Butler 1990) – an ‘entanglement of agencies’ (Knox 2015).

I close with an audio/visual snippet and a soundtrack to my EDC journey

 

My EDC soundtrack:

My EDC soundtrack cover image


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Week nine and algorithmic systems: unpacking the socio-technical assemblage

Photo by Federico Beccari on Unsplash
Algorithmic systems as ‘massive, networked [boxes] with hundreds of hands reaching into them’ (Seaver: 2013: 10)? (PhotoFederico BeccariUnsplash.)
Having just published my artefact Algorithmic systems: entanglements of human-machinic relations, I have started commenting on others’ artefacts, finding insightful (but sobering) explorations of the algorithmic systems of FacebookNetflix and others. Facebook’s foray into ‘personalized learning platforms’ and the resistance against it is very relevant as I reflect on the issues of surveillance and automation in education (Williamson 2019).

While focusing on Coursera for my artefact, I observed inclusions/exclusions, tendencies to privilege “tech” courses from Western institutions, and experienced the complexities of researching algorithmic systems (Kitchin 2017). Does Silicon Valley-based Coursera – with its vision of life transformation for all – subscribe to Silicon Valley’s notion of ‘progress’ while blind to its exclusions? Is it another example of an attempt to ‘revolutionise’ education, as Williamson (2017) details, framed by neoliberal and commercial agendas yet presented as an objective and universal ‘learning experience’?

I reflect on the ‘black box’ metaphor, yet ‘algorithmic systems are not standalone little boxes, but massive, networked ones with hundreds of hands reaching into them’ (Seaver 2013: 10) and we ‘need to examine the work that is done by those modelling and coding [them]’ (Beer 2017: 10). Thus, rather than stripping individual algorithms of their wider social and political context, we should ‘unpack the full socio-technical assemblage’ (Kitchin 2017: 25) and examine the complex ‘human-machinic cognitive relations’ (Amoore 2019: 7), ‘entanglement of agencies’ (Knox 2015) and the implications for education in an era of ‘datafication’ (Knox et al. 2020).


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‘Algorithmic play’ artefact – ‘Algorithmic systems: entanglements of human-machinic relations’

‘These algorithmic systems are not standalone little boxes, but massive, networked ones with hundreds of hands reaching into them, tweaking and tuning, swapping out parts and experimenting with new arrangements…we need to examine the logic that guides the hands…’ (Seaver 2013: 10)

Early on this block, I played with a range of different algorithms, looking at the recommendations served up by my existing activity. I have created a “recommendations feed” for my lifestream, and also made general notes and screenshots in number of posts.

Later on, and in thinking specifically about digital education, and tying the activity with our MOOC exploration, I first looked at my FutureLearn recommendations, and finally, focused on Coursera – where I was able to provide false data for my “profile” and “learning plan” and see the alterations in recommended courses.

Some initial conclusions

Many of the “recommendation engines” I played with, such as SoundCloud, Spotify and Twitter, led me into what I perceived to be a “you loop“, “filter bubble” or “echo chamber”. Google’s autocomplete showed some signs of reproducing existing biases, perhaps amplifying dominant views held by other users. Google may also be making assumptions based on data they hold about me, which may have skewed YouTube search results, although it would be interesting to compare results with other users or in different locations, an approach Kitchin (2017: 21) discusses. I have written a little about ethical concerns and my Google data also.

Moving my focus to Coursera, in its recommendations they appeared to privilege courses with a information technology/computer science focus, although the range of available courses is clearly a factor too. In any case, the founders’ background in computer science, and education at a Western university, shone through despite attempts to tweak my “profile” and “learning plan” (I have written a little about the “profile” ethical issues also). This appears to be a common theme in “apps” or websites” developed by Western companies, and the design processes utilised (whereby products are developed first for the “profile” of the founder(s), and secondarily for others) arguably creates exclusions for some (and a strong sense of “this wasn’t designed for me”) and inclusions for others (notably switching my profile to “software engineer” produced a wealth of “relevant“ results which I could tailor to my choosing).

My artefact: Algorithmic systems: entanglements of human-machinic relations

You can see the Coursera ‘algorithmic play’ posts in a lifestream feed, and also through this CodePen (which brings in the same feed but presents, ranks and orders it slightly differently). How might consuming the feeds through different ranking systems affect your perception, and how might the pre-amble surrounding it have changed your conclusions and what you click on?

View the CodePen

‘Algorithmic systems: entanglements of human-machinic relations’
‘Algorithmic systems: entanglements of human-machinic relations’

You can also access the “code behind” the CodePen. However, even though access is granted to this code, it will not necessarily be easy to make sense of it (Kitchin 2017: 20; Seaver 2013). While presented as ‘open’ source, is it really ‘open’ and who for? What exclusions might this create?

The CodePen (while slightly misleadingly called an “Educational Algorithm”) is a very basic attempt to present the feed of Coursera recommendations in a different fashion for comparison, while provoking some thought around algorithmic systems in general. There is no complex processing, just a little reordering. It also does not store any data (information entered is used within the browser to rank articles, but not stored in an external database), and the text descriptions are fictional – it is just for visual/demonstration purposes.

Reflections on the CodePen

Inspired by Kitchin (2017: 23), I have written a few words reflecting on my experiences, while acknowledging the limitations of the subjectiveness of this approach.

The CodePen was adapted (“forked“) from an existing CodePen, which provided the majority of the base upon which (with my very limited skills!) I could tweak very slightly to add a basic feed of the Coursera recommendations by pasting in another bit of code (which turned out to be old and broken) and then ultimately another bit of example code (this is from a Google-“led” project). It is very much a case of different bits of code “hacked” together, full of little “bugs” and “glitches” and not particularly well designed or written! I was keen to strictly limit the time spent on it, although I know much time could be spent tidying and refining it.

Presumably, similar time constraints, albeit with more resources/testing, affect development of, say, Facebook/Google etc. algorithms and lead to mistakes. After all, Facebook’s internal motto used to be ‘move fast and break things’, although this race to create a “minimum viable product” and “disrupt” (regardless of the consequences) is increasingly criticised.

In any case, this CodePen is like a snapshot of an experimental “work in progress” (which others are welcome to “fork”, use and adapt) and brings to mind the messy, ontogenetic, emergent, and non-static nature of algorithmic systems (Kitchin 2017: 20-21).

Ultimately, my aim is to raise some questions about some details of this process and, since most of the code was “stuck together” from bits of free and ‘open’ source code, how the culture of the individuals/teams is significant too. As Seaver (2013: 10) puts it…

‘…when our object of interest is the algorithmic system, “cultural” details are technical details — the tendencies of an engineering team are as significant as the tendencies of a sorting algorithm…’

…and, given that a large portion of the code came from a Google-led project (and Twitter too), how might the tendencies of those teams have created inclusions/exclusions? Furthermore, as the focus of my artefact is Coursera, whose founders both have experience working at Stanford University and Google, how might the tendencies there have guided Coursera and, subsequently, my CodePen?

Finally, given that Coursera presents itself as a universal educational space, where its vision is ‘a world where anyone, anywhere can transform their life by accessing the world’s best learning experience’, what are the implications of this for digital education? In my initial explorations, my perceptions are that computer science and information technology disciplines from Western universities are prioritised by Coursera, in general and through their algorithmic systems. However, further research is needed to, as Kitchin (2017: 25) puts it, ‘unpack the full socio-technical assemblage’.


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Week eight: critically playing with algorithms

This week, while commenting on micro-ethnographies, I began the ‘algorithmic play’ activity, adding new lifestream feeds including Vimeo and Deezer and, inspired by ‘Show and Tell: Algorithmic Culture’ (Sandvig 2014) and Noble’s (2018) Algorithms of Oppression, played with Google search algorithms including their autocomplete

'Is edtech...' Google autocomplete‘Is edtech…’ Google autocomplete

I also discovered (some) of what Google “knows” about me, collected ‘algorithmic play’ notes/screenshots and recorded algorithm ‘recommendations’ from…

I reflect on questions from Amoore (2019: 7)

‘Do algorithms compute beyond the threshold of human perceptibility and consciousness? Can ‘cognizing’and ‘learning’ digital devices reflect or engage the durational experience of time? Do digital forms of cognition radically transform workings of the human brain and what humans can perceive or decide? How do algorithms act upon other algorithms, and how might we understand their recursive learning from each other? What kind of sociality or associative life emerges from the human-machinic cognitive relations that we see with association rules and analytics?’

…and, as I explore these ‘human-machinic cognitive relations’, look beyond the polished “app” user interfaces and reflect on how algorithms (despite how they are presented) are far from objective or neutral (Kitchin 2017: 18). I turn my attention to investigating discrimination and bias (Noble 2018 and #AlgorithmsForHer)…

I also investigate the notion of ‘data colonialism’ (Knox 2016: 14), rethink the relation between algorithms and power (Beer 2017) and look to the future of what this might all mean in an educational context (Knox et al. 2020; Williamson 2017).


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Michael saved in Pocket: ‘Algorithmic culture. “Culture now has two audiences: people and machines”’

Excerpts

‘How will you define the “Culture of Algorithms”?

My preferred phrase is “algorithmic culture,” which I use in the first instance to refer to the the ways in which computers, running complex mathematical formulae, engage in what’s often considered to be the traditional work of culture: the sorting, classifying, and hierarchizing of people, places, objects, and ideas. The Google example from above illustrates the point, although it’s also the case elsewhere on the internet. Facebook engages in much the same work in determining which of your friends, and which of their posts, will appear prominently in your news feed. The same goes for shopping sites and video or music streaming services, when they offer you products based on the ones you (or someone purportedly like you) have already consumed.’


‘How will you define the “Culture of Algorithms”?

My preferred phrase is “algorithmic culture,” which I use in the first instance to refer to the the ways in which computers, running complex mathematical formulae, engage in what’s often considered to be the traditional work of culture: the sorting, classifying, and hierarchizing of people, places, objects, and ideas. The Google example from above illustrates the point, although it’s also the case elsewhere on the internet. Facebook engages in much the same work in determining which of your friends, and which of their posts, will appear prominently in your news feed. The same goes for shopping sites and video or music streaming services, when they offer you products based on the ones you (or someone purportedly like you) have already consumed.’

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